Showing posts with label emirati. Show all posts
Showing posts with label emirati. Show all posts
Tuesday, December 2, 2014
An Emirati feast for National Day
It's been a few years since I began my culinary tour of the world through home-cooked theme meals. December 2nd of 2014, though, would mark the day I did some "adopted home: cooking, as I finally got around to putting together an Emirati meal, in celebration of the UAE's 43rd National Day. With some downloaded Emirati traditional music playing, and with flags and flag-colored balloons decorating my apartment, I welcomed my 9 guests to the most authentic Emirati feast I could muster.
First came procuring the essentials. Samen (ghee, or clarified butter), in the yellow jar, is one of the main fats used for frying, cooking, and garnishing in Emirati cuisine. For desserts and beverages, ma2 al ward (rosewater), here in the bottle, is frequently used. If you're doing anything savory, you almost certainly will be using the Emirati spice mix they call bezar, here in the silver packet with the green label. And last, but not least, I got those two bags containing sufficient quantities of loomi (dried lime), one bag of whole and one bag of powdered. These make a world of difference in giving that distinctive aroma and taste to many Emirati dishes. They are all available in major hypermarkets around here -- definitely in Union Co-op, which visibly markets towards the Emirati demographic.
As a light starter, I made Emirati street and snack mainstay, dango, by soaking 2.5 cups of dried chickpeas overnight with 1.5 tsp soda bicarbonate, and boiling the drained chickpeas with salt and 10 small dried red chilies on low-medium heat for about an hour, until tender. For such a simple dish, it's surprisingly tasty and hearty.
For my other starter, I made the Emirati comfort food they call harees. I had about 650g of lamb on the bone and 2 cups of whole wheat (sold under the name of harees itself) boiled with 6 cups of water and simmered for two hours, until the free water had evaporated. I then added a tablespoon of salt and another cup of water for a further hour of sealed simmering.
After removing the bones, I used a handheld blender to blend it all down to a thick puree, and served it the traditional way: warm, spread into a platter, and garnished with samen. A subtly flavored dish, with a unique texture.
I made two entrees of seafood, the first of which was the Emirati staple called jesheed -- a dish made with the meat of the local baby shark. Probably because it's primarily an Emirati thing, I could only find this in Union Co-op, and you need to buy a whole shark at a time, which they will skin, gut, and partially cut for you.
I boiled about a kilogram of shark meat chunks for about an hour, until they became firm enough to easily debone and shred. While I was doing the deboning and shredding, I fried 4 sliced onions golden in vegetable oil, then adding 2.5 tbsp loomi powder, 1.5 tbsp turmeric, 1.5 tbsp bezar and 4 crushed garlic cloves to fry and let the flavors mingle. I then stirred in 5 chopped tomatoes, followed by the shredded shark meat and a little water, and simmered it all under a lid for about half an hour.
I believe this was my first time eating shark, and I found the texture a bit strange at first. But once I mentally digested the fact that this wasn't regular fish, I came to quite like the mildly spicy, umami-rich taste of this dish.
My second entree was robeyann nashif, a spicy shrimp dish that's popular at Emirati dining tables, and the curry leaves in which might indicate some influence from my own home country.
I again fried 4 sliced onions golden in vegetable oil, then stirring in 2.5 tbsp bezar, 1 tbsp turmeric, 1 tsp ground fennel seeds, 5 crushed garlic cloves, 3 tbsp loomi powder, 1.5 tsp cummin seeds, 15 curry leaves, 1.5 tbsp tomato paste, and 2.5 tbsp grated ginger for a few minutes of frying. Finally, I added the cleaned, shelled large shrimp, and cooked on low heat for about 15 minutes.
Served with store-bought markouk bread (my attempt at making regag failed, due to my lack of a proper gas griddle), this dish, with its sharp, spicy taste, turned out to be an unqualified hit, and not a lick of it remained.
Then came the main course: fogga diyay (diyay being the Emirati pronunciation of dejaj, Arabic for chicken). A fogga, known also as machboos/makboos/kabsa, is basically a dish of rice cooked in a meat stock, flavored with loomi and other spices. The previous night, I prepared its typical accompaniment, daqus (center), by pureeing 4 chopped tomatoes with half a chopped onion, 4 fresh chili peppers, and a tablespoon of hot sauce.
Late in the morning of the lunch, I rubbed in pieces of chicken (mostly drumsticks and thighs) with some salt and a lot of bezar (top), cooking them in samen until they were slightly cooked (right). I then added 6 cups of chicken stock, 3 chopped fresh tomatoes, 8 chopped cloves of garlic, 5 whole loomi, 2 large sticks of cinnamon, and 12 bruised pods of cardamom, simmering covered for about 20 minutes (bottom). Finally, I added some salt and 5 cups of rice that had been soaked and drained. Without stirring, I let this cook, loosely covered, until the stock was absorbed and rice had risen, and then placed a tight lid on it to cook for 15 minutes.
I served it hot with the daqus and some cold yogurt that had been mixed with chopped mint. The chicken was so tender that it was falling apart, and the stock had imparted a wonderfully savory flavor to the rice, all enhanced with the taste of bezar and the aroma of the whole loomi. Next time, though, I would cut the quantity of rice to half, or two-thirds at most. Rice-heavy is apparently how it's done in the khaleej, but it's too much for my tastes.
And finally, for dessert, I prepared a quintessential Emirati pudding called aseeda bobar. While this pudding can be and is made without pumpkin -- which would be just aseeda -- the bobar version is more popular for texture lent it by the pumpkin flesh.
I first steamed 850g of local pumpkin flesh cubes, while roasting 400g of whole wheat flour (top). I then mashed and mixed these together with 350g date syrup (most recipes call for honey, but I used date syrup instead, for that really local taste), a teaspoon of saffron threads, and a teaspoon of ground cardamom (bottom right), moistening as necessary. After cooking for about 10 minutes, I added 3 tbsp of ma2 al ward and half a cup of samen (bottom left), and cooked it for another 10 minutes.
I served generous lukewarm scoops of the resulting fluffy pudding with plenty of brown raisins and almond flakes, and it went down a treat with everyone.
To punctuate the meal, I prepared some core Emirati beverages. First, I made a welcome drink of aseer tazza (right), a blend of 6 cups of orange juice with 1.5 cups of lemon juice, 3 teaspoons of ma2 al ward, and sugar to sweeten.
To help wash down the entrees and prepare for the main, I brewed some chai jerfau, a "tea" made by boiling 8 sticks of cinnamon with a little sugar and 1 tsp saffron in 5 cups of water (bottom).
Finally, to end our authentic Emirati meal, I brewed some gahwa (coffee) local style by boiling half a cup of freshly ground coffee beans in 5 cups of water, and steeping it with 1 tsp saffron, 1 tsp crushed cloves, 4 teaspoons ma2 al ward, and 2 tsp coarsely ground cardamom (bottom). Served in shot quantities, it helped get all the hearty dishes and eclectic tastes of the local cuisine settled in our tummies.
Recipes based on those in "The Complete United Arab Emirates Cookbook" by Celia Ann Brock- Al Ansari (1994)
First came procuring the essentials. Samen (ghee, or clarified butter), in the yellow jar, is one of the main fats used for frying, cooking, and garnishing in Emirati cuisine. For desserts and beverages, ma2 al ward (rosewater), here in the bottle, is frequently used. If you're doing anything savory, you almost certainly will be using the Emirati spice mix they call bezar, here in the silver packet with the green label. And last, but not least, I got those two bags containing sufficient quantities of loomi (dried lime), one bag of whole and one bag of powdered. These make a world of difference in giving that distinctive aroma and taste to many Emirati dishes. They are all available in major hypermarkets around here -- definitely in Union Co-op, which visibly markets towards the Emirati demographic.
As a light starter, I made Emirati street and snack mainstay, dango, by soaking 2.5 cups of dried chickpeas overnight with 1.5 tsp soda bicarbonate, and boiling the drained chickpeas with salt and 10 small dried red chilies on low-medium heat for about an hour, until tender. For such a simple dish, it's surprisingly tasty and hearty.
For my other starter, I made the Emirati comfort food they call harees. I had about 650g of lamb on the bone and 2 cups of whole wheat (sold under the name of harees itself) boiled with 6 cups of water and simmered for two hours, until the free water had evaporated. I then added a tablespoon of salt and another cup of water for a further hour of sealed simmering.
After removing the bones, I used a handheld blender to blend it all down to a thick puree, and served it the traditional way: warm, spread into a platter, and garnished with samen. A subtly flavored dish, with a unique texture.
I made two entrees of seafood, the first of which was the Emirati staple called jesheed -- a dish made with the meat of the local baby shark. Probably because it's primarily an Emirati thing, I could only find this in Union Co-op, and you need to buy a whole shark at a time, which they will skin, gut, and partially cut for you.
I boiled about a kilogram of shark meat chunks for about an hour, until they became firm enough to easily debone and shred. While I was doing the deboning and shredding, I fried 4 sliced onions golden in vegetable oil, then adding 2.5 tbsp loomi powder, 1.5 tbsp turmeric, 1.5 tbsp bezar and 4 crushed garlic cloves to fry and let the flavors mingle. I then stirred in 5 chopped tomatoes, followed by the shredded shark meat and a little water, and simmered it all under a lid for about half an hour.
I believe this was my first time eating shark, and I found the texture a bit strange at first. But once I mentally digested the fact that this wasn't regular fish, I came to quite like the mildly spicy, umami-rich taste of this dish.
My second entree was robeyann nashif, a spicy shrimp dish that's popular at Emirati dining tables, and the curry leaves in which might indicate some influence from my own home country.
I again fried 4 sliced onions golden in vegetable oil, then stirring in 2.5 tbsp bezar, 1 tbsp turmeric, 1 tsp ground fennel seeds, 5 crushed garlic cloves, 3 tbsp loomi powder, 1.5 tsp cummin seeds, 15 curry leaves, 1.5 tbsp tomato paste, and 2.5 tbsp grated ginger for a few minutes of frying. Finally, I added the cleaned, shelled large shrimp, and cooked on low heat for about 15 minutes.
Served with store-bought markouk bread (my attempt at making regag failed, due to my lack of a proper gas griddle), this dish, with its sharp, spicy taste, turned out to be an unqualified hit, and not a lick of it remained.
Then came the main course: fogga diyay (diyay being the Emirati pronunciation of dejaj, Arabic for chicken). A fogga, known also as machboos/makboos/kabsa, is basically a dish of rice cooked in a meat stock, flavored with loomi and other spices. The previous night, I prepared its typical accompaniment, daqus (center), by pureeing 4 chopped tomatoes with half a chopped onion, 4 fresh chili peppers, and a tablespoon of hot sauce.
Late in the morning of the lunch, I rubbed in pieces of chicken (mostly drumsticks and thighs) with some salt and a lot of bezar (top), cooking them in samen until they were slightly cooked (right). I then added 6 cups of chicken stock, 3 chopped fresh tomatoes, 8 chopped cloves of garlic, 5 whole loomi, 2 large sticks of cinnamon, and 12 bruised pods of cardamom, simmering covered for about 20 minutes (bottom). Finally, I added some salt and 5 cups of rice that had been soaked and drained. Without stirring, I let this cook, loosely covered, until the stock was absorbed and rice had risen, and then placed a tight lid on it to cook for 15 minutes.
I served it hot with the daqus and some cold yogurt that had been mixed with chopped mint. The chicken was so tender that it was falling apart, and the stock had imparted a wonderfully savory flavor to the rice, all enhanced with the taste of bezar and the aroma of the whole loomi. Next time, though, I would cut the quantity of rice to half, or two-thirds at most. Rice-heavy is apparently how it's done in the khaleej, but it's too much for my tastes.
And finally, for dessert, I prepared a quintessential Emirati pudding called aseeda bobar. While this pudding can be and is made without pumpkin -- which would be just aseeda -- the bobar version is more popular for texture lent it by the pumpkin flesh.
I first steamed 850g of local pumpkin flesh cubes, while roasting 400g of whole wheat flour (top). I then mashed and mixed these together with 350g date syrup (most recipes call for honey, but I used date syrup instead, for that really local taste), a teaspoon of saffron threads, and a teaspoon of ground cardamom (bottom right), moistening as necessary. After cooking for about 10 minutes, I added 3 tbsp of ma2 al ward and half a cup of samen (bottom left), and cooked it for another 10 minutes.
I served generous lukewarm scoops of the resulting fluffy pudding with plenty of brown raisins and almond flakes, and it went down a treat with everyone.
To punctuate the meal, I prepared some core Emirati beverages. First, I made a welcome drink of aseer tazza (right), a blend of 6 cups of orange juice with 1.5 cups of lemon juice, 3 teaspoons of ma2 al ward, and sugar to sweeten.
To help wash down the entrees and prepare for the main, I brewed some chai jerfau, a "tea" made by boiling 8 sticks of cinnamon with a little sugar and 1 tsp saffron in 5 cups of water (bottom).
Finally, to end our authentic Emirati meal, I brewed some gahwa (coffee) local style by boiling half a cup of freshly ground coffee beans in 5 cups of water, and steeping it with 1 tsp saffron, 1 tsp crushed cloves, 4 teaspoons ma2 al ward, and 2 tsp coarsely ground cardamom (bottom). Served in shot quantities, it helped get all the hearty dishes and eclectic tastes of the local cuisine settled in our tummies.
Recipes based on those in "The Complete United Arab Emirates Cookbook" by Celia Ann Brock- Al Ansari (1994)
Labels:
arab,
aseeda,
beverages,
bobar,
cooking,
cuisine,
dango,
drinks,
dubai,
emirati,
fogga diyay,
food,
harees,
jesheed,
Khaleeji,
recipe,
rubeyan nashif
Location:
Dubai - Dubai - United Arab Emirates
Sunday, September 21, 2014
NYUAD Saadiyat Campus and Hamama screening
One of the first events of the NYUAD public programs season was a screening of the Emirati documentary film Hamama. I rarely pass up opportunities to watch a nice local film, so I signed up. Also, it would be a good opportunity to check out NYUAD's new campus on Saadiyat Island, to which its public events have been moved from various locations around Abu Dhabi city, and which also happens to be more conveniently located for me.
The campus is impressive: large, fitted well, decorated subtly and interesting architecturally, with broad paths, big courtyards, and spacious interiors. There is still some work going on in the area surrounding, but the inside seems about completed.
The film was introduced by a faculty member (top left) and screened (right) in a conference center auditorium, followed by Q&A with director/producer Nujoom al Ghanem and writer/researcher Khalid al Budoor (bottom left). While I think the POV shots detracted from the documentary style followed otherwise in the film (I'm sure blindness could have been conveyed in other ways, or established in a single fade shot), and some of the setups looked a little implausible (shayla on head with bare belly?), the film was overall a pleasant watch, with sharp cinematography, some interesting characters, a bit of humor, and good lighting, transitions and sound.
Thursday, November 14, 2013
Four plays Under One Umbrella by Resuscitation Theatre
For the past couple of months, I'd been looking forward to seeing how Resuscitation Theatre would implement the Saleh Karama scripts I had been reading with them over the summer. And this weekend, I finally saw those Arabic-language original plays premiere on stage, and in English - which is no small feat, considering that these plays are, for the most part, very metaphorical, and Arabic is often difficult to translate to English for even mundane purposes. I know, because I read all of them with the group, as we went over them, line by line, to refine the translation and find the best English equivalents. So, yes, I did go in knowing the plot for each play.
In fact, I had already seen One More Try on stage, in the same venue, in the summer. It was about the same this time, except with improved sound, and a markedly better performance by Prabhath Dhevindra. Betina had been re-cast as well, with Darcell Castillo adding a pleasantly fresh chemistry to the relationship between her character and Baya.
Sea Breeze, replete with allegorical lines and symbolic actions, must have been particularly difficult to adapt. I think it turned out very well, though, thanks to the directorial vision of Robert Liddington and whoever else was involved in production. It was very physical, with Sanoop Dinesh fitting well into his part. The use of props and colors was very creative; Dinesh's "healer jailer", interpreted as some kind of fabulous witch doctor, was a particularly brilliant touch.
From the reading sessions, my favorite script was Evening Chat, and I was not disappointed. Some of the lines did seem rushed and mechanically paced, but it was a good experience in sum. I especially liked Syed Sameer Ahmed's acting; he played the character of Sibran to perfection through all his character's transitions. The use of children's toys as physical symbols gesturing towards the past and the background of conflict was a good idea.
My expectations for Mobius were completely blown out of the water by director Zakaia Cvitanovich and the production team behind this interpretation. What I thought would be a dark, slow play, turned out to be an extravaganza of music, world dance, inflatable animal wrestling, and a human maypole. Splitting the character of Rima into five, each with a different actor, was definitely worth the additional cast management and blocking entailed by this idea. A surprise winner of a production is what it was.
Labels:
abu dhabi,
Abu Dhabi National Theatre,
dance,
drama,
emirati,
experimental theatre,
local,
performing arts,
physical theatre,
Resuscitation Theatre,
Saleh Karama,
theatre,
uae,
Under One Umbrella
Saturday, July 6, 2013
Resuscitation Theatre stages One More Try by Saleh Karama
Abu Dhabi's experimental/contemporary theater group, Resuscitation Theatre, staged Emirati playwright Saleh Karama's play One More Try last Wednesday at the Abu Dhabi National Theatre. The play, directed by Maggie Hannan, starred a tight cast of four, and ran ten short of an hour.
It was about the rather odd circumstances and encounters of a woman, Baya, who is in prison after killing her husband for cheating on her with her best friend, Betina. Betina later visits her and shares a cordial chat. Her lawyer, Toufic, is a conflicted and frustrated man, who seems to be trying to mess with her mind, which she variously deflects and reciprocates. The unnamed prison guard spends most of his time in the background, engrossed in closed circuit surveillance and interpretive dance.
Khristene Astoriano did a very commendable job playing Baya, her ample theater experience showing in her portrayal of this seemingly fatalistic character. I also liked Sanoop Dinesh's prison guard, well-choreographed and fluid as he was. Aside from a few lines sounding forced, it was an enjoyable experience in its genre, especially towards the end.
Khristene Astoriano as Baya, Sanoop Dinesh as the guard, Prabhath Dhevindra as Toufic
It was about the rather odd circumstances and encounters of a woman, Baya, who is in prison after killing her husband for cheating on her with her best friend, Betina. Betina later visits her and shares a cordial chat. Her lawyer, Toufic, is a conflicted and frustrated man, who seems to be trying to mess with her mind, which she variously deflects and reciprocates. The unnamed prison guard spends most of his time in the background, engrossed in closed circuit surveillance and interpretive dance.
Khristene Astoriano as Baya, Nancy Awar as Betina
Khristene Astoriano did a very commendable job playing Baya, her ample theater experience showing in her portrayal of this seemingly fatalistic character. I also liked Sanoop Dinesh's prison guard, well-choreographed and fluid as he was. Aside from a few lines sounding forced, it was an enjoyable experience in its genre, especially towards the end.
Thursday, June 6, 2013
SMCCU Heritage Tour and Emirati Brunch
I had long been postponing my planned tour and meal with the Sheikh Mohammed Center for Cultural Understanding because I thought there was only a weekday option (blame the outdated brochure). When I recently checked the website, however, I found a very convenient Saturday morning 09:00 tour, followed immediately by a 10:30 brunch option. And there was even an online booking option, with cash payable on arrival. Perfect!
I and my friends arrived at the SMCCU majlis just in time for the guide's introduction and Q&A session, during which dates and coffee were served. We spent quite a while talking about the coffee and the local etiquette of serving and drinking it, then moving on to other topics of family and tradition, along with lighter topics like the different dialects/patterns of Arabic spoken in different emirates.
Our walking tour took us through the alleyways of the Bastakiya, where our guide explained the construction materials and design intention of the buildings, the doors and the windows, as well as the trees and walls.
She took us into the coin museum as well. Actually, I had been to Bastakiya umpteen times, and the coin museum on several occasions. Still, the rest of the tour was very informative.
We rested on the terrace for a bit before heading to the mosque next door. In the mosque, she explained Islamic beliefs and traditions, including prayer and sartorial customs, and invited questions (which I was, again, happy to oblige).
Those of us who signed up from brunch went back to the majlis and joined the others who had come for just the brunch.
Our guide described the spread before us, and another introduction/Q&A session began. Some of the topics had already been covered earlier, at the beginning of the tour. But with added probing, we got to talk about topics in Emirati society such as marriage (age, cost, matchmaking, etc), subcultures (anime, metal, hipster, etc), taboos (homosexuality, alcohol, Westernization, etc) and such.
I highly recommend this combination. It's a great use of a Saturday morning, with hearty food and a chance to delve into the deep recesses of our host nationality's world.
I and my friends arrived at the SMCCU majlis just in time for the guide's introduction and Q&A session, during which dates and coffee were served. We spent quite a while talking about the coffee and the local etiquette of serving and drinking it, then moving on to other topics of family and tradition, along with lighter topics like the different dialects/patterns of Arabic spoken in different emirates.
Our walking tour took us through the alleyways of the Bastakiya, where our guide explained the construction materials and design intention of the buildings, the doors and the windows, as well as the trees and walls.
She took us into the coin museum as well. Actually, I had been to Bastakiya umpteen times, and the coin museum on several occasions. Still, the rest of the tour was very informative.
We rested on the terrace for a bit before heading to the mosque next door. In the mosque, she explained Islamic beliefs and traditions, including prayer and sartorial customs, and invited questions (which I was, again, happy to oblige).
Those of us who signed up from brunch went back to the majlis and joined the others who had come for just the brunch.
Top middle: Machbous
Bottom right: Lugeymat
Bottom left: Balaleet
Bottom left: Balaleet
Our guide described the spread before us, and another introduction/Q&A session began. Some of the topics had already been covered earlier, at the beginning of the tour. But with added probing, we got to talk about topics in Emirati society such as marriage (age, cost, matchmaking, etc), subcultures (anime, metal, hipster, etc), taboos (homosexuality, alcohol, Westernization, etc) and such.
I highly recommend this combination. It's a great use of a Saturday morning, with hearty food and a chance to delve into the deep recesses of our host nationality's world.
Saturday, August 28, 2010
City of Life

| Rating: | ★★★★ |
| Category: | Movies |
| Genre: | Independent |
City of Life is about Dubai. Instant appeal on that point alone. Several weeks into release and people still flocked to the theatres that did screen the first mainstream Emirati feature film. It was a rare chance to see Karama's City Corner supermarket, the massive DIFC and other landmarks, iconic on levels global and local, on the silver screen in a slick film with world-class cinematography.
And if the production values weren't enough, the casting seems to have pulled in some major star power. The Tudors' Natalie Dormer played the role of an Eastern European flight attendant, and Jason Flemyng, who starred in the likes The League of Extraordinary Gentlemen and Clash of the Titans, played a high-living British advertising exec. The talents of Indian film industry big-timers Javed Jaffrey and Sonu Sood powered the South Asian cohort, playing an entertainment kingpin and a taxi driver respectively. While I am not really acquainted with the Arab film world, I thought Ahmed Ahmed and The Narcicyst did well as Emiratis in different social strata, trying to reconcile austere tradition with glamorous modernity.
When I first heard, long ago, that the film revolved around a car crash as a denouement, I feared it might be a remake of the multi-Oscar Crash. Fortunately, it was not. Three plot streams, one European, one South Asian, and one Emirati, did converge at said crash. With dialog delivered partly in native tongues and subtitled when so, each story depicted the experiences of living in Dubai for each group. Posh villas and yachts. Hovels and taxis. The small cafeteria with creatively-named juice mixes. The dusty lanes in the rough-hewn bungalow communities. The soaring towers sparkling with light reflected off other soaring towers. The glitzy parties. The seedy bars.
We also get to see glimpses of realistic but (in Dubai) taboo themes, like premarital sex (officially illegal here), amateur road stunt displays, ethnic stereotyping, worker exploitation and young Muslims' occasional haram indulgences. One would expect the villains to get their just desserts in the end, of course. That said, I could not help but get a pontification-heavy vibe off the film at some points, especially towards the finale.
I still recommend the film as a whole, the work of director and writer Ali F. Mostafa. The film definitely hits all the right spots for a Dubaiker. We get a glimpse into the experiences of different social classes, different cultures and different story-lines, all reflected to some extent in the real society, demographics and happenings in Dubai. Especially the interweaving of plot devices within and among the plot-lines, the film paces and develops well. The production quality is, once again, world-class, and the use of camera techniques is excellent. Mostafa hopes to see Emirati films as regular theatre features, and I wish him and other Dubai-based film-makers all the best for that.
Monday, April 12, 2010
New in the collection: Hanafi (Sha3biat al Cartoon)
From way back during the Dubai Shopping Festival. Just came across an episode of Sha3biat al Cartoon, and remembered it. This local comedy, made with an attractive and unique style of animation, features cultural context as well as plenty of slapstick humor and character gags.
Monday, March 1, 2010
Young Emirati prepares for gruelling Arctic challenge (Gulf News)
http://gulfnews.com/news/gulf/uae/general/young-emirati-prepares-for-gruelling-arctic-challenge-1.590633
Dubai: Elham Al Qasimi has pushed her intellectual abilities all her life to make it to the top, be it at the London School of Economics or her number crunching job at JP Morgan.
But the young Emirati will for the first time submit her body to the extremes of physical endurance in the freezing North Pole this April to become the first Arab woman to set foot in the Arctic.
But the young Emirati will for the first time submit her body to the extremes of physical endurance in the freezing North Pole this April to become the first Arab woman to set foot in the Arctic.
Monday, September 7, 2009
Selling Private Service and Retail to Emiratis
The sight of young Emirati men and women working as fishmongers and bakers or checkout assistants and shelf-stackers is very unusual.
The jobs are normally filled by Dubai's massive foreign workforce.
Emirati workers in the retail sector are still a minority within a minority.
Nationals constitute less than 20% of the total population and according to some researchers make up less than 1% of the private sector workforce.
This is because employers in the emirate have found it notoriously difficult to attract young nationals into the private sector.
They mostly favour working in the public sector - which offers more pay, far fewer working hours, longer holidays and security.
There is also the issue of prestige. Working in a supermarket still carries, for many Emiratis, a stigma.
But the Aswaaq stores are providing an unlikely setting for a cultural revolution.
...
The jobs are normally filled by Dubai's massive foreign workforce.
Emirati workers in the retail sector are still a minority within a minority.
Nationals constitute less than 20% of the total population and according to some researchers make up less than 1% of the private sector workforce.
This is because employers in the emirate have found it notoriously difficult to attract young nationals into the private sector.
They mostly favour working in the public sector - which offers more pay, far fewer working hours, longer holidays and security.
There is also the issue of prestige. Working in a supermarket still carries, for many Emiratis, a stigma.
But the Aswaaq stores are providing an unlikely setting for a cultural revolution.
...
This is a step in the right direction. Once retail and service are no longer stigmatized, perhaps there will be more fair treatment and better compensation for those professional classes. And when "management" is not seen as the only/primary career path for Emiratis, they will have more incentive to diversify their skill acquisition towards more "hands-on" type careers.
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