Showing posts with label music. Show all posts
Showing posts with label music. Show all posts
Thursday, March 12, 2015
Operation Opera at The Ivy
With a breather weekend between stretches of seasonal schedule madness on my hands, I headed down to The Ivy at Jumeirah Emirates Towers for a little Thursday night live music break. And specifically this one, because of a chance to witness opera being performed in a far more casual setting than is typical for the genre, as well as the combination of two talented locally-based artists: friend and vocalist Paul Bester, and pianist/composer Dale Nichols. They made a great musical combination, expertly performing a mix of contemporary and classic operatic renditions, and taking a few requests as well. I and my companion enjoyed the performance immensely, with lovely English bites and drinks from the Ivy's menu rounding off a great Thursday night.
Labels:
Dale Nichols,
dubai,
food,
live,
music,
opera,
Paul Bester,
piano,
The Ivy
Location:
The Ivy - Dubai - United Arab Emirates
Wednesday, January 7, 2015
50 Shades of Blues in Abu Dhabi
Alivia and the Elite Blues Band kicked off my musical experience of 2015 in the sixth Rooftop Rhythms blues-centric musical venture, "50 Shades of Blues", at the Saadiyat Beach Club's De La Costa bar and lounge in Abu Dhabi. Blues being right up my musical alley, I was happy to find a dedicated local event for this genre (which seems to be even more rare here than jazz).
Alivia's powerful, broad-ranged vocals and engaging showmanship were backed by the Elite Blues Band's drummer Terrence and keyboardist Robert, the latter of whom also took over lead vocals now and then. Songs performed that night on the club's beachfront terrace ranged across blues, soul and R&B genres, beginning with some light, playful numbers like "Voodoo Woman" and "Meet Me With Your Black Drawers On". Later on, Robert showed us how it's done in Hammond mode when "Down Home Blues" came up in the playlist.
In the second set, audience participation began in earnest as Alivia took on a fan request and expertly rendered the Bobby Womack classic "Harry Hippie" -- a song that provided ample opportunities for a microphone pass-around. Closing a fun night of great musical performance with an enthusiastic crowd, the third and final set included popular hits like "I'll Be Around", progressively drawing people onto the dance floor, and pushing the night into the line dancing phase (obliging even bisinistrapedal me to give it a shot).
Labels:
abu dhabi,
band,
blues,
de la Costa,
live,
motown,
music,
RnB,
Rooftop Rhythms,
Saadiyat Beach Club,
Saadiyat Island,
soul
Monday, November 24, 2014
Fanny Azzuro piano recital
Keeping to its tradition of organizing quality musical programs, local Alliance Françaises brought a great French pianist to the UAE's audiences for two evenings of recital. Given my schedule for the week, I figured it would be more convenient getting to the Abu Dhabi program at Novotel al Bustan on the island.
AF Abu Dhabi director (and good musician himself) Jean-Yves Carnino introduced the event and the pianist, Fanny Azzuro. The event was held in a ballroom that had been set up with a projector and camera to ensure that everyone got to see her technique live.
Azzuro's recital began strong with Rachmaninov's Variations on a Theme of Corelli -- a dynamic piece that also did well to exhibit her skill -- and continued to impress with other early 20th century works of diverse style and mood, especially Ravel's Mirrors. And with my passion for the genre, I naturally loved Kapustin's jazzy Variations Op 41 at the end.
Friday, November 21, 2014
Dubai Chamber Orchestra autumn concert
The Dubai Chamber Orchestra held this season's concert today at a new venue: the Centre for Musical Arts at Gold and Diamond Park. The performance hall was fairly large, but extra seats had to be brought in to accommodate the turnout. Additional venue bonus: a metro station right next door.
Conductor Barnaby Priest led the orchestra through a three-part program, consisting of Mozart's Overture to Der Schauspieldirektor, Carl Nielsen's Little Suite for Strings, and a beautiful Symphony No 99 by Haydn. A subset of the orchestra also delighted with a special performance of a collaborative artistic piece composed by Priest, featuring the littoral-themed video art and haunting countertenor talent of Janet Bellotto and Rodney Gilchrist, respectively.
Saturday, November 8, 2014
Quoz Art Festival and a spot of ISEA
The Quoz Arts Festival returned to the neighborhood this year, with a new branding, a wider audience, and a lot of food. Literally, one lane of Al Serkal Avenue, turned into a food street. A satellite attraction was the upcoming expansion of the Avenue, the construction for which was now looking much closer to completion in the plot next door.
Before taking a look around the galleries, though, I dropped in at the Fridge for the final performance of ISEA 2014: Maziar Ghaderi's Dissolving Self, featuring Vrinda Bhandula's dance performance visually augmented with a live projection behind her, controlled by her movements. It's not the first motion-controlled rendering in the world, but the simple bi-chromatic star field, coalescing, expanding and spining with her was beautiful in execution.
I only had the time to look at a few galleries. One I liked a lot was FN Designs and its exhibition of pop art, especially the long panorama of iconic aspects of Dubai life, pixelated and colored in a style reminiscent of retro computer games.
At Grey Noise, Michael John Welan's Lupus consisted of works in the metaphorical vein typical of the gallery, using different media and/or cultural symbols to wistfully allude to the demise of the Irish wild wolf.
Further afield, Mottahedan Projects' multi-artists exhibition, The Other Side of Visibility, featured a diverse and mostly interesting array of art, with my favorites including the works of Tala Madani (right), Maryam Hoseini (top left) and Habib Farajabadi (bottom left).
Labels:
al quoz,
Al Serkal Avenue,
art,
dubai,
festival,
FN Designs,
food,
Grey Noise,
ISEA,
Mottahedan Projects,
music,
performance,
street
Wednesday, October 29, 2014
The Empire of Miss Understanding
Clockwise from top left: Soans and Isis; Fernandez and Isis; Isis; Weber and Soans
An ensemble of local musical/lyrical talent, collaborating as "The Royal Court", joined cellist Isis M on her return to the Courtyard Playhouse today (and yesterday) for a unique performance entitled The Empire of Miss Understanding.
The show's pop-surreal theme graphic art -- also printed on the performers' clothes -- matched the abstract and metaphorical leanings of the lyrics and Maria Papadaki's video backdrop, in a setting that was subtly scenographed by Filipa Santos. After a couple of her solos, Isis was accompanied by Keigan Soans, Adam Weber, and Caroline Fernandez in several permutations, the latter adding vintage vocals and contemporary spoken word to her cello instrumental background, sometimes with a guitar layer.
The result was an intriguing spectacle of alt music and video art, unpretentious and often captivating. Vocals were good throughout, but in terms of lyrics, I especially liked the second half. The arrangement made excellent use of the range of the cello and the loop pedal, both as a solo instrument, and in combination with the other instruments and vocals.
Labels:
arts,
cello,
concert,
dubai,
ensemble,
Isis M,
live,
music,
performance,
poetry,
The Courtyard Playhouse,
The Royal Court,
video
Sunday, October 12, 2014
Music Diversity at NYUAD
After a long time, I attended a NYU Abu Dhabi music event tonight. These have always been "different", and this one was, well, no different.
In this special performance, five specialist musicians from very diverse schools and cultures shared the stage: (left to right) American-based Peruvian computer musician Jaime Oliver, Ghanian traditional percussionist Gideon Alorwoyie, Indian traditional instrumental and vocal percussionist Akshay Anantapadmanabhan, British saxophonist Barak Schmool, and French computer-assisted composer/mixer Gérard Assayag.
Each performed solos -- occasionally leading collaboration acts -- in turn, before a closing performance as an eclectic quintet.
As someone who works with computers, I was fascinated at a technical level by Mr Oliver's setup, which created electronic sounds based on the movements and shapes he made with his hands. Mr Anantapadmanabhan's traditional Indian percussion (top) was also very impressive, especially his vocal percussion.
And being both a jazz fan and a general performing arts fan, I thoroughly enjoyed the moves and chords in Mr School's act (bottom), in which he played saxophone to a backing track while synchronized video slides of him casually dancing to elements of the track were projected overhead.
Whatever the individual tastes for their styles of music, though, I understood, from overheard reviews on the way out, that many fellow attendees thought the final collaborative quintet performance was amazing -- an assessment with which I heartily agreed.
Whatever the individual tastes for their styles of music, though, I understood, from overheard reviews on the way out, that many fellow attendees thought the final collaborative quintet performance was amazing -- an assessment with which I heartily agreed.
Labels:
abu dhabi,
art,
collaboration,
concert,
contemporary,
event,
fusion,
music,
nyuad,
Saadiyat Island,
traditional,
uae
Wednesday, October 1, 2014
Roaring rhythms with The Swing Revue and Lindy Hop
I went down to Jazz Pizza Express this Wednesday to watch Dubai's latest manifestation of the vintage invasion: The Swing Revue. The 5-piece swing band and the vocalist together played several hits from the Age of Swing, as well as swing-paced covers of jazz standards by the likes of Ella Fitzgerald. The band -- playing trumpet, drum, piano, double bass, and guitar -- had a great swing rhythm, and its members also did well as backup singers during the call-and-response sequences. Their rendition of the rebel anthem "Momma Don't Allow" was especially fun.
In addition, the space just off stage left was cleared for use by the Dubai-based enthusiasts of swing dancing, Lindy Hop Dubai, who drop in an hour early for dance lessons before the weekly gig. Between two and three couples would hit the floor at a time, swinging and jiving to the live music. The band would also occasionally step down and play right next to them, adding to the swing-era atmosphere of the place.
Congratulations also to the venue, Pizza Express JLT, for being declared the best-run in the Pizza Express restaurant family.
Saturday, September 27, 2014
Grassroots Revue Dubai
Dubai community theater The Courtyard Playhouse held another Grassroots Revue event this season to showcase local talent -- a mixed-form potpourri of performances, introducing audiences to arts and artists to which they might not otherwise have been exposed.
A double feature of poetry was on the bill, with Zeina Hashem Beck (left) reading from her new book, To Live in Autumn, and Frank Dullaghan reading his series of poignant poems about a missing child incident.
Comedy also took center-stage, with well-received performances from the likes of Luke Haecker (top left) and Sameer Abdul Rehman (top right), and local improv troupe Improv Anonymous (bottom) playing short-form scenes and games (including attempts at musical improv) across two slots.
Musicians galore too, as the programme was peppered with four acoustic guitar instrumental or singing performances -- including classical guitarist Valentin Spasov and David Beats Goliath frontman George Driscoll -- and closed on a violin note.
A double feature of poetry was on the bill, with Zeina Hashem Beck (left) reading from her new book, To Live in Autumn, and Frank Dullaghan reading his series of poignant poems about a missing child incident.
Comedy also took center-stage, with well-received performances from the likes of Luke Haecker (top left) and Sameer Abdul Rehman (top right), and local improv troupe Improv Anonymous (bottom) playing short-form scenes and games (including attempts at musical improv) across two slots.
Musicians galore too, as the programme was peppered with four acoustic guitar instrumental or singing performances -- including classical guitarist Valentin Spasov and David Beats Goliath frontman George Driscoll -- and closed on a violin note.
Sunday, August 31, 2014
Lisan al Tarab preview by Tarek Yamani
Popular JLT pizzeria and jazz club Jazz Pizza Express hosted the launch of Lebanese-born NY-based jazz musician and composer Tarek Yamani's new Arabesque jazz fusion album, Lisan al Tarab, at a packed Saturday night event.
Yamani played a two-set performance on the piano, promoting the album. He was joined onstage by local jazz musicians, the Afif brothers Rony and Elie, on the drums and double bass, respectively. The show saw good form from all on harmony and solos, making for a night of excellent jazz entertainment.
(clockwise from left top) Tarek Yamani; Elie Afif; Rony Afif
Available for eco-friendly download at great value, Lisan al Tarab is the continuation of Yamani's jazz fusion experiment, in the vein of 2012's Ashur. While it too incorporates Arabic musical elements and a piano trio configuration, there are some fresh sounds and structures to be heard, especially with the inclusions of stronger starts, Latin jazz beats, subtle bass lines, and moments when jazz and Arabic notes are seamlessly fired in rapid succession. My personal favorite track was "Fi Hulal Al Afrah", which is heavy on the Arabic rhythms while maintaining a classic jazz flow, and I also liked the piano solo "Beirut Zahra Fi Gheir Awanha".
Wednesday, June 11, 2014
Gayathri and The Unknown
A little over a year after the release of her debut album, The Unknown, Dubai-raised and sometimes -based vocalist and musician Gayathri treated the city to a special concert to kick off her international tour of the album. Incidentally, the crowd-funding campaign for The Unknown was the first such campaign in which I participated, and I was well-acquainted with her melding of visual art with music from her local concerts in 2011.
The concert -- held in a VOX Cinemas movie hall in the Mall of the Emirates -- did not disappoint at all, musically or visually, and was a heartwarming showcase of the camaraderie among many of the musicians in Dubai. The beautiful animated backdrops for the show were produced in partnership with The Animation Chamber, and other collaborators included vocalist Boyan (for a duet), harpist Diana Pandova (for a Hindi song), and other local musicians in her band. Gayathri's performance itself was top-notch, with her spiritedly belting out the best of her album -- including "Greatest Love Story", which I liked a lot -- and her other favorites, and closing on the audience-engaging number "The Elopement".
Friday, June 6, 2014
Rooftop Rhythms Dubai
Part of the revamp of the Boutique 7 Hotel near where I live was a new urban music and dance basement lounge they named "ego". I wanted to check it out at some point, and having previously attended a Rooftop Rhythms spoken word event in Abu Dhabi, I made their third Dubai installment (bottom) the occasion to visit the venue. The place has a cool look and the music during the post-event regular Friday night program was quite good, so I stayed afterwards a bit longer than I had originally planned (top right).
The event itself was very entertaining, including performances by spoken word artists both established in and new to the art. Two of the highlights of the evening were performances by hip hop artist Marcel Lteif (top left) and Dana Dajani (top right). Other notable performances were the first by a Filipino artist at RR, as well as a musical intermission by a talented flautist (bottom left). It also happened to be birthday of RR's founder and emcee, Dorian Paul Rogers, so the evening featured a cake moment (bottom right).
Labels:
dubai,
Ego,
music,
poetry,
Rooftop Rhythms,
song,
spoken word,
tecom,
urban lounge
Location:
Al Barsha - Dubai - United Arab Emirates
RESET launches with My Favorite Robot
Canadian DJ collective My Favorite Robot dropped in on Dubai for a gig to launch the RESET series at one of my favorite house music venues: Story Rooftop Lounge.
Awesome opening sets by Dubai-based DJs Somalie (top left) and Daylomar (top right) gave the early half of the night a peppy mood as party goers milled in (bottom).
MFR's Jared Simms headlined, serving up some very eclectic electronic music replete with ethereal effects and rich layers.
Awesome opening sets by Dubai-based DJs Somalie (top left) and Daylomar (top right) gave the early half of the night a peppy mood as party goers milled in (bottom).
MFR's Jared Simms headlined, serving up some very eclectic electronic music replete with ethereal effects and rich layers.
Monday, May 26, 2014
Dale Nichols piano concert at The Fridge
As a piano music fan, I could not miss The Fridge's latest Fridge Concert Series concert, starring pianist and composer Dale Nichols. For about an hour, Nichols played several compositions on The Fridge's stage, including "Adrift" and "Vagabond's Revenge", and most memorably, "Dreams from a Kitchen Window" and "The Sea".
His music is not typical piano concert fare; it has been described as "cinematic", and does seem to lend itself well to inclusion in soundtracks. Which is to say that it is a very mood-evoking music, incorporating themes of nature and the weather, as Nichols mentioned during his introductions. His composition also eschews repetitive motifs, and his music is distinctively dynamic, changing direction subtly ever so often.
His EP, In Full Color, includes four lovely tracks, including the haunting "October", and the calming, melodic "Blossom", with its background of nature sounds.
Saturday, May 24, 2014
Blazing a theatrical trail with Draupadi
In case anyone was wondering about the week of social AWOL that preceded it, I had been immersed in this year's big theatre project: Draupadi - The Voice of Dignity. Indeed the largest production in which I have ever been involved, it was also the furthest away from my general idea of the kind of theatre in which I would be involved: music, dance, physical theatre, body paint, bodysuits, etc. Having not been an audience member myself, I can only comment on the experience of being stage-side.
Firstly, it was a huge privilege performing at the capacious and opulent Madinat Theatre. These seats would soon be packed through, and the Indian Consul General would attend one of our shows. The second show's audience was more audibly responsive than that of the first show, but I gathered that both proffered favorable reviews.
Firstly, it was a huge privilege performing at the capacious and opulent Madinat Theatre. These seats would soon be packed through, and the Indian Consul General would attend one of our shows. The second show's audience was more audibly responsive than that of the first show, but I gathered that both proffered favorable reviews.
Us statues with designer and graphic artist Nivi Saha
Our makeup artists and costume designers/tailors did a fantastic job with the body paint, body suits and costumes. Especially with stage lighting, I was taken aback at just how convincing my fellow statues appeared.
(photo credit: Sarah Arfan Photgraphy)
Having to be on stage about 90% of the time, we spent most of the time on the yajna platform in stillness (but changing poses from time to time), occasionally breaking off or coordinating to act out short background scenes or be human props. Given the diversity in backgrounds and physiques of the statues, it must have been interesting to watch how each of us executed our parts (being fairly well-versed in the Mahabharata, I integrated imagery from the ongoing story into my free poses)
Classical Indian dance
(photo credit: Sarah Arfan Photgraphy)
(photo credit: Sarah Arfan Photgraphy)
The play told the story of Draupadi using both dialogue and dance theatre, focusing on her birth, her betrothal contest and marriage to all five Pandava brothers, her humiliation in the Kaurava court, and the death of her sons, the Upapandavas, in the legendary India-wide Mahabharata war. It was illustrated with spellbinding classical Indian and contemporary dance by local troupes, Tapasya and Loom Ensemble, as well as Third Half Theatre's staging of segments of a philosophical discussion between a modern-day Krishna and Krishnaa (one of Draupadi's epithets).
Although I was disappointed that the classical dancers did not wear more traditional costumes, it was a worthy sacrifice in the cause of quick costume changes, which were required in order to play different roles in different scenes. I was impressed by how, despite having to perform complex, coordinated dance sequences, the classical dancers also did a great job with acting. The show culminated in a wonderful final scene of both sets of actors/dancers performing onstage together as the ancient and modern pairing of Krishna and Draupadi.
(photo credit: Sarah Arfan Photgraphy)
And not in the least, the delightful classical/modern fusion music and singing by the Malhaar Choir, combined with Nivi Saha's glorious graphical artworks of scenes and motifs from the epic, gave a thoroughly inspiring sound and look to the production. It was hard to stay still with such great music playing right next to me, and to not move my head to watch the audio-visuals and dance. I am just so proud and honored to have been trusted with a role in this ginormous endeavor.
Tuesday, May 20, 2014
Draupadi: A fiery woman in a crowded theater
Being offered a part in this project came as a bit of a surprise. But knowing that Draupadi - The Voice of Dignity involved the Malhaar Choir, Loom Ensemble, and Third Half Theatre, it was not hard to say "yes". It also helped that I was several weeks into a Mahabharata mythos geek trip.
Although I, as a cast member, repeatedly witness their performances, the choir has me rapt each time we do a run-through. The instrumental array features Indian classical music instruments together with electric guitar, synth keyboard and cajon, producing hypnotic music that straddles West and East. The singing is rousing and spellbinding (a couple have become the earworms of the month), and the dancers make their well-practiced skill seem almost effortless in mesmerizing choreography; listening to the choir and watching the dance makes the countless hours of rehearsal feel not as long.
Thanks to Third Half Theatre and Loom Ensemble, these song, music and dance segments are interspersed and framed with an English-scripted philosophical/magical story that references the epic, along with contemporary dance and physical theatre.
As for my role, I don't want to give away details, except that watching fidgety me hold still for minutes at a time is in itself a spectacle. I have never done anything in this particular style of theatre, but we have a supportive and enthusiastic team. Therefore, I have high expectations of a grand performance, especially extrapolating what I have glimpsed of the production aspects.
The play stages on May 23rd/Fri and 24th/Sat, 7:30pm, at Madinat Theatre. There are a few tickets still on sale, and they can be purchased at timeouttickets.com or at the Madinat Theatre's offline box office.
Labels:
arts,
dance,
drama,
Draupadi,
dubai,
kathak,
Loom Ensemble,
madinat theatre,
Mahabharata,
Malhaar Choir,
music,
theatre,
Third Half Theatre
Friday, May 16, 2014
Heart and Soul of Al Qasr
Their genre is not what I typically patronize, but having since long read good reviews of Heart and Soul in particular, I popped into Koubba Bar in Madinat Jumeirah's Al Qasr hotel late on Thursday night to have a listen.
Shanice Michaels does indeed have a pleasant and versatile voice, and included a fair bit of improvisation to add some individuality to the songs she sang. She and Lorendo Brown mainly did covers of popular music to playback instrumentals and sharp guitar playing by Brown. I was not too fond of the dance pop covers (maybe downbeat them a little?), but the rest was a great musical journey through the pop hits, especially the ones from the late 20th century.
Wednesday, May 7, 2014
Emirates Jazz Collective plays at Saadiyat beach
Finding out, with barely a day's notice, that Monte Carlo Beach Club Abu Dhabi has a jazz night on the first Wednesday of every month fortunately coincided with a planned overnight stay in the city. That pretty much set the night's plans in stone.
The club, located near the northern tip of Saadiyat Island, hosts the jazz night at the Sea Lounge, on an outdoor stage that has the beach itself as a backdrop. While the weather's still pleasant, the outdoor portion is much preferable to the indoor seating. The selection of beers and spirits is good, but the wines (at least the white wines) left much to be desired. It's a good idea to book in advance, especially for the outdoor seats -- the place was quite busy when we got there.
More luck: it turned out to be a surprise opportunity to attend a performance by UAE-based jazz band, the Emirates Jazz Collective. That night's quartet configuration of the band, comprised of bassist Lakshmi Ramirez, saxophonist Artur Grigoryan, pianist Artie Poghosyan and drummer Douglas Caskie, played mainly upbeat, swinging jazz tunes, lending the place a very lively mood for the night, with some even taking to the dance floor. The artists for jazz night are booked ad hoc, so they may not necessarily play there next jazz night; given their performance that night, though, I certainly hope they do.
The club, located near the northern tip of Saadiyat Island, hosts the jazz night at the Sea Lounge, on an outdoor stage that has the beach itself as a backdrop. While the weather's still pleasant, the outdoor portion is much preferable to the indoor seating. The selection of beers and spirits is good, but the wines (at least the white wines) left much to be desired. It's a good idea to book in advance, especially for the outdoor seats -- the place was quite busy when we got there.
More luck: it turned out to be a surprise opportunity to attend a performance by UAE-based jazz band, the Emirates Jazz Collective. That night's quartet configuration of the band, comprised of bassist Lakshmi Ramirez, saxophonist Artur Grigoryan, pianist Artie Poghosyan and drummer Douglas Caskie, played mainly upbeat, swinging jazz tunes, lending the place a very lively mood for the night, with some even taking to the dance floor. The artists for jazz night are booked ad hoc, so they may not necessarily play there next jazz night; given their performance that night, though, I certainly hope they do.
Saturday, May 3, 2014
Local music shines at Sheraton Open Mic
Sheraton Open Mic is set among the palms in the large alfresco bar, B-Lounge, of one of Abu Dhabi's oldest and most iconic hotels. I only just found out about it, but it has been going on for many months now (first Saturday of each, usually), and I was fortunate to have found out about it just before they suspend for the summer, to continue in September.
The weather was still generally pleasant, although we were interrupted momentarily by a freak one-minute burst of rain. The menu is limited as far as eatables are concerned, but there's a good bar, and the seating -- which includes amphitheater steps at the back -- is very comfortable. The whole place has a very relaxed atmosphere. A large number of people turned up to support the local artists, so there was plenty of energy at the venue.
I got there in time to hear the amazing father-son duo of Larry Langs and his seven-year-old son, Max. Langs sang a few rock songs while playing the guitar, while Max did a pretty impressive job at the drums for someone so young. They were followed by Shannon, who played acoustic guitar and sang some ballad pop covers, as well as a song that she herself wrote. A vintage vocal duo, Maxine and Nour, sang acapella next, including covers of "Hit the Road, Jack" and "Wrecking Ball". For this kind of music, though, it would be much better if they used a supporting instrumental track, or even another singer doing instrumentals vocally.
Next up was a sequence of some rather prolific bands from Dubai and Abu Dhabi. First, DaisyGrim's alt rock performance -- in which they also jammed with a couple of guest artists -- followed by rock/pop band Behold the Locus' great sound and their talented lead singer. Physical Graffiti played their folk music next, and Sound Block mixed things up with a little metal.
A cajon-guitar duo, BlueZero (sp?), closed the (by now, nearly 4-hour-long) event with versatile use of their instruments for reggae and blues rock.
B-Lounge
The weather was still generally pleasant, although we were interrupted momentarily by a freak one-minute burst of rain. The menu is limited as far as eatables are concerned, but there's a good bar, and the seating -- which includes amphitheater steps at the back -- is very comfortable. The whole place has a very relaxed atmosphere. A large number of people turned up to support the local artists, so there was plenty of energy at the venue.
(L-R) Larry and Max Langs; Shannon
I got there in time to hear the amazing father-son duo of Larry Langs and his seven-year-old son, Max. Langs sang a few rock songs while playing the guitar, while Max did a pretty impressive job at the drums for someone so young. They were followed by Shannon, who played acoustic guitar and sang some ballad pop covers, as well as a song that she herself wrote. A vintage vocal duo, Maxine and Nour, sang acapella next, including covers of "Hit the Road, Jack" and "Wrecking Ball". For this kind of music, though, it would be much better if they used a supporting instrumental track, or even another singer doing instrumentals vocally.
(clockwise from top left) DaisyGrim; Behold the Locus; Sound Block; Physical Graffiti
Next up was a sequence of some rather prolific bands from Dubai and Abu Dhabi. First, DaisyGrim's alt rock performance -- in which they also jammed with a couple of guest artists -- followed by rock/pop band Behold the Locus' great sound and their talented lead singer. Physical Graffiti played their folk music next, and Sound Block mixed things up with a little metal.
BlueZero (I think that's how it's spelled)
A cajon-guitar duo, BlueZero (sp?), closed the (by now, nearly 4-hour-long) event with versatile use of their instruments for reggae and blues rock.
10th birthday of WARPED celebrated with Monoloc
Monoloc doing this thing
WARPED, one of Dubai's oldest electronic music institutions, celebrated 10 years (and that's a lot in Dubai years) of powering the city's techno scene, in an all-evening-all-night party at underground haven Casa Latina this weekend. A back-to-back lineup of local genre heavyweights led into a finale set by visiting German techno star Monoloc. All stops seemed to have been pulled to set up this one, and the mood was high all night. Happy birthday, WARPED.
Labels:
anniversary,
birthday,
Casa Latina,
dj,
dubai,
Monoloc,
music,
techno,
WARPED
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