The performance is, after all, an evolving work, and the first I've seen in Dubai to follow a prototyping model with public participation. And we did have an open chat right after with the Ensemble's Raphael Sacks and Neva Cockrell, who were also the sole performers of the piece.
The contemporary play, titled Burning Fresh began with a preview of a song segment and dance segment from later in the play. Moving along, it incorporated a lot of mime, dance and physical theatre around the lines, punctuated by haunting a capella singing, occasionally with sometimes-awkward audience participation. The latter, along with the extent to which the performance should or should not develop its story (yes, it has one) were debated after the performance, among other topics. The play is not due to be staged for a few more months, so it will surely see some more moulding and whittling before then.